Review: Vivien Horler
The Lady in Gold – the extraordinary tale of Gustav Klimt’s portrait of Adele Bloch-Bauer, by Anne-Marie O’Connor (Vintage Books)
My reading year has started with a glorious, muscular book that, while it has the story of the Gustav Klimt portrait as its centrepiece, is so much more than that.
It is a tale of fin-de-siècle Vienna, a city of opulence and elegance and high society, of anti-Semitism, of great art, of the Holocaust and Nazi war crimes, of a post-war Austria that tried to forget its enthusiastic collaboration in Hitler’s war, of the desolation of refugees and a glimpse into the multi-million dollar contemporary art world.
Adele Bloch-Bauer
Adele Bloch-Bauer grew up in pre-World War I Vienna, when that city was at the centre of the Austro-Hungarian Empire. She came from a vastly wealthy assimilated Jewish family, and married Ferdinand Bloch, a sugar-beet baron who was twice her age. She was an atheist and a free thinker, and despite her wealth, liked to describe herself as a socialist.
Also living in the city at the time was the artist Gustav Klimt, a man who had thrown off the straitjacket of conventional Austrian art, and painted works that were rejected by Viennese society for their eroticism, symbolism and boldness. He was embraced by the city’s wealthy Jewish elite, and received many commissions, including one to paint a portrait of Adele Bloch-Bauer. Continue reading →