Review: Vivien Horler

Sissinghurst – an unfinished history, by Adam Nicolson (HarperCollins)

Sissinghurst is probably best known as the celebrated garden in Kent created by Vita Sackville-West, former lover of Virginia Woolf and also of Violet Trefusis.
Vita and her husband, the British diplomat Sir Harold Nicholson, had a famously open marriage, which was chronicled by their son Nigel in his book Portrait of a Marriage.
Nigel’s son Adam is the author of this book about the glorious estate on which he grew up, and which, like many great estates in the United Kingdom, attracted crippling death duties when Vita died.
One solution was to hand the estate over to the National Trust, an organisation dedicated to heritage conservation in England, Wales and Northern Ireland. But Vita, who had served on Trust committees, was vehement that the Trust would not take Sissinghurst in her lifetime. She wrote in her diary: “Never, never, never. … Nigel can do what he likes when I am dead, but as long as I live no Nat Trust or any other foreign body shall have my darling.”
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Vivien Horler

RW Johnson

A writer’s voice – that’s a tricky subject to tackle or even define.

Voice is the subject of the seventh module of the non-fiction writing course I’m doing under the auspices of crime writer, memoirist and biographer Mike Nicol. And even he, vastly experienced writer that he is, has some difficulty pinning down the concept of “voice”.

“What do we mean when we talk about a writer’s voice and how does this affect your writing? And then if I go on to say that this voice is largely dependent on the tone of your prose, you might say, enough now.”

Well, quite. Voice and tone, he says, are the building blocks of style.

“Voice” is the voice of someone with something to say about the world. It’s hard to figure out one’s own voice – the module assignment was to find a piece of our own writing and then analyse it.

But perhaps it’s easier when you’re reading someone else’s non-fiction. I was mildly affronted by the preface of commentator RW Johnson’s latest book Foreign Native. He had, he says, written and published, in London, a memoir about his time at Oxford University.

He then suggested his local publisher, Jonathan Ball, might like to bring out a South African edition.

This is the sentence that got me: “Jonathan read the book and liked it, but felt that Oxford was too far away from the usually more parochial concerns of South African readers.”

Well, that puts us japies in our place.

So far in the course, titled Writing Reality, we have looked at how to write stories, how to introduce characters (and make them characters), how to describe current events, how to draft scenes, and – importantly – how to write dialogue. Dialogue is what brings writing and characters to life. Or as Tom Wolfe puts it (as quoted in Nicol’s course notes: “…realistic dialogue involves the reader more completely than any other single device. It also establishes and defines character more quickly and effectively than any other single device”.

Back to voice. It emerges, says Nicol, from tone, lexicon and grammar. Sentence length is important. Voice and tone create style.

It’s all a touch nebulous – but I can recognise it when I see it, in RW Johnson’s writing at any rate. And what is Johnson’s voice?  It is smug, that’s what it is.

* For more information on Nicol’s courses (which include a fiction writing course, see https://writeonline.pro or email him on mike@writeonline.pro.

Review: Vivien Horler
A Way Home, by Jillian Sullivan (Potton & Burton)
In an odd little general dealer-cum-coffee shop in a village in New Zealand’s south island I spotted this book and thought it looked interesting.
Newly divorced and 50-something writer Jillian Sullivan decides to fulfil a dream to build a straw bale house. She doesn’t know much about building, but her son-in-law Sam does, and she signs on as his apprentice. “This is a beautifully told and inspiring story, a book for anyone who needs to start again, or has a project bigger than they think possible.”
I didn’t buy the book, but a couple of days later spotted it in the home of friends near Dunedin. In half an hour or so I’d read enough to know I wanted to read it all. It turns out the little general store in Oturehua in Central Otago was down the road from the house Sullivan built, and we happened to be passing back through in a couple of days. So I bought their only copy. Continue reading →

Review: Vivien Horler

Anatomy of a Scandal, by Sarah Vaughn (Simon  Schuster/ Jonathan Ball)

The advice most parents would like to give their children is: don’t do anything that could spoil your life. But it’s in the specifics that things become tricky.

Don’t drive drunk. Beware of drugs. Condomise. And you can just see them rolling their eyes: “Ja, ma,” they say, and all you can hope is that something from all those years of bringing them up has stuck.

And another thing. Never expect anyone to keep your secrets for you. Not even your best friend. Not even your spouse. Continue reading →

Review: Vivien Horler

Knucklebone, by NR Brodie (Picador Africa)

Knucklebone takes the SA-based detective thriller to a whole new level.

Set in a vibrant and rather sinister Johannesburg, we have a burglary, a company that helps foreign big game hunters, and the butchering of poached animals.

Then there are also a coven of witches, a sangoma, and a tokoloshe.

Ian Jack is a former cop known to his friends as Cousin – I suspect you need Cornish links to get Continue reading →

Review: VIVIEN HORLER

Lore of Nutrition – challenging conventional dietary beliefs, by Tim Noakes & Marika Sboros (Penguin)

This is a curious book and its title is something of a misnomer. While Noakes’s first book, Lore of Running, is described by reviewers as covering “everything runners, trainers and coaches need to know about running”, Lore of Nutrition is less about nutrition and more about Noakes’s “trial” by the Health Professions Council of South Africa.

Of the 365 pages of the book proper – excluding a forward, two prefaces, a closing chapter, bibliography, notes and an index – 304 pages deal with Noakes and the furious controversy he engendered with the Continue reading →

Woman of State (HarperCollins/Jonathan Ball)

SIMON BERTHON

It’s Belfast, 1991. Not the height of the Troubles, perhaps, but a long way to go before peace in Northern Ireland. Maire Anne McCartney has just finished her A-levels when she is persuaded by her boyfriend to be the bait in a honeytrap. She’s reluctant, but what has she ever done for the struggle, he asks her. There will be no violence. Except there is. Maire, just 18, has to flee to Dublin. More than 25 years later human rights lawyer Anne-Marie Gallagher is appointed Minister of State for Security and Immigration. But then there is a tipoff. A body is found in a field, and Detective Chief Inspector Jon Carne begins investigating. Now it looks as though the new minister’s secret life might be uncovered. Simon Berthon is an award-winning filmmaker, and this is his first novel.

SEPT 11

Skollie – one man’s struggle to survive by telling stories (Zebra Press)

JOHN W FREDERICKS

Last year the film Noem my Skollie was South Africa’s official entry for the 89^th Oscars. It told the story of John Fredericks, born and raised in Kewtown, who went to Pollsmoor at just 17. And there he quickly learned that he was no longer able to protect himself using violence. And so he drew on another skill: storytelling. He became the “prison cinema” making up yarns of cops and robbers, using his fellow inmates’ names in his tales. He tells of the humiliations of being in prison, of sitting bare-arsed on a concrete floor to “vries sy gat” before getting cuts, of fellow inmates selling food for tobacco, of blood and violence. Later he was released, only to be charged with a murder he did not commit. Many years on he wrote the screenplay for the film. Now in his 70s and living in Athlone, he has written his own story, the story of his life. The book is being launched at Artscape on Sunday September 17.